Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Ija Sergeevna Savvina, Nadežda Sergeevna Allilueva, Sofja Sergeevna Meščerskaja, Praskovja Sergeevna Ščerbatova, Ljubov Sergeevna Popova, Svetlana Allilueva Apriljul./ 6. Architectonic Composition 1918 Ljubov Sergeevna Popova (1889-1924 Russian) is a licensed reproduction that was printed on Premium Heavy Stock Paper which captures all of the vivid colors and details of the original. Russia 1889−1924 ... Popova designed for Meyerhold's another play to (Land on end on the play by M. Martin – S. M. Tretyakov), and in 1924 he engaged in "production art", developing drawings textiles for the 1st cotton-printing factory. She effectively adapted the lessons of…. In 1914 she traveled in France and Italy at the development of Cubism and Futurism.[3]. Jul 16, 2017 - Explore Braindamage's board "Lyubov Popova", followed by 168 people on Pinterest. Ljubow Sergejewna Popowa (russisch Любовь Сергеевна Попова, wiss. In 1912 she worked in a Moscow studio known as "The Tower" with Ivan Aksenov and Vladimir Tatlin, and also visited Sergei Shchukin's collection of modern French paintings. Omissions? She produced stage designs: Vsevolod Meyerhold's production of Fernand Crommelynck's The Magnanimous Cuckold, 1922; her Spatial Force Constructions were used as the basis of her art teaching theory at Vkhutemas. Ljubov’ Sergeevna Popova (1889-1924) fu una pittrice russa vicina al Costruttivismo, Suprematismo e al Cubofuturismo. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy. In 1909 she traveled to Kiev, then in 1910 to Pskov and Novgorod. Ljubov Sergeevna Popova. Popova worked in a broad range of mediums and disciplines, including painting, relief, works on paper, and designs for the theater, textiles, and typography. After returning to Russia that same year, she worked with Tatlin, Udaltsova and the Vesnin brothers. The term 'supreme' refers to a 'non-objective' or abstract world beyond that of everyday reality. She produced designs for stage sets, typography, and textiles. Transliteration Ljubov' Sergeevna Popova; * 24. After another trip to France and Italy in 1914, Popova returned to Moscow as a full-fledged artist, her predilection and interest now centring on Art Nouveau. Popova’s painting gradually began to evolve into Constructivism; her compositions of the early 1920s bear titles such as Construction and Spatial-Force Construction. "Artist-Constructor" was the term applied to Popova by her contemporaries in the catalogue of the artist's posthumous exhibition.[10]. Посмотрите больше идей на темы «конструктивизм, александр родченко, авангард». Rodchenko/Popova: Defining Constructivism, an exhibition of the work of Popova, Rodchenko, and other Constructivists was shown at Tate Modern, London, in 2009,[11] and subsequently at Museo Reina Sofia, Madrid. The mid-1910s were a turning point for Popova. La sua famiglia era benestante, composta da facoltosi commercianti: il padre Sergej era il proprietario di un’industria tessile, mentre la madre Zubova apparteneva ad una famiglia di collezionisti storici. Lyubov Popova artiste ruse. The Académie de la Palette, where Popova and Udaltsova studied Cubism with Henri Le Fauconnier and Jean Metzinger, was to prove a crucial step in Popova’s artistic development. In 1916 she joined the Supremus group with Kazimir Malevich, the founder of Suprematism, Aleksandra Ekster, Ivan Kliun, Nadezhda Udaltsova, Olga Rozanova, Ivan Puni, Nina Genke, Ksenia Boguslavskaya and others who at this time worked in Verbovka Village Folk Centre. April jul. In the 5x5=25 Exhibition of 1921,[8] Popova and her four fellow Constructivists declared that easel painting was to be abandoned and all creative work was to be for the people and the making of the new society. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Get a Britannica Premium subscription and gain access to exclusive content. A large exhibition of her work opened in Moscow from December 21, 1924 to January 1925, at Stroganov Institute, Moscow. Mai 1889 greg. At the same time the elements are held in a balanced and proportioned whole as if linking the compositions of the classical past to the future. In 1912 to 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger at Académie de La Palette in Paris.[2]. The creation of a new kind of painting was part of the revolutionary urge of the Russian avant-garde to remake the world. See more ideas about suprematism, constructivism, cubist. 03-02-2021 - Se opslagstavlen “liubov popova.“, der følges af 237 personer på Pinterest og tilhører S-rosberg. Updates? During this period Popova visited Sergey Shchukin’s renowned collection of French art and, drawn to Cubism, traveled to Paris with Udaltsova. 21 Nov 2005, 11:00 GMT Bath Liubov Sergeyevna Popova (1889-1924 Russian) 'Cubist female figure studies' Pencil drawing 20 … She then traveled to Pskov and Novgorod to study iconography. Inspired by Malevich’s ideas about abstraction and Suprematism (an art form he invented), Popova developed an individual variation of nonobjective art in which traditional principles were dynamically combined with the flatness and linearity of medieval Russian art and the most innovative avant-garde techniques. From 1921 to 1924 Popova became entirely involved in Constructivist projects, sometimes in collaboration with Varvara Stepanova, the architect Alexander Vesnin and Alexander Rodchenko. , è stata una pittrice e scenografa russa e sovietica, esponente dei movimenti dell'avanguardia russa sviluppatisi nei primi anni del Novecento: cubismo, cubo-futurismo, costruttivismo e suprematismo. The canvas surface is an energy field of overlapping and intersecting angular planes in a constant state of potential release of energy. The overall paper size is 18.00 x 24.00 inches. Powered by Yandex.Translate. She designed typography of books, production art and textiles, and contributed designs for dresses to LEF. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian icons, the paintings of Giotto, and the works of the 15th- and 16th-century Italian painters which interested her the most. Popova was born into a wealthy family of Moscow factory owners, which secured her a quality art education. Pavel became a philosopher and the guardian of his sister's artistic legacy. Museum of Modern Art (MOMA) referencedIn: Museum of Modern Art (New York, N.Y.). Executed in 1913-1914 Tragically, she died of scarlet fever in 1924 in Moscow, aged 35. The exhibition included Popova's works such as seventy-seven paintings, as well as books, posters, textile designs, and line engravings. Her painting The Violin of 1914 suggests the development from Cubism towards the "painterly architectonics" series of 1916–1918. Popova died at the peak of her artistic powers two days after the death of her son, from whom she had contracted scarlet fever. All popova artwork ships within 48 hours and includes a 30-day money-back guarantee. In 1914–1916 Popova together with other avant-garde artists (Aleksandra Ekster, Nadezhda Udaltsova, Olga Rozanova) contributed to the two Knave of Diamonds exhibitions, in Petrograd Tramway V and the 0.10, The Store in Moscow. Tatlin was impressed and rumor had it that he wanted to pay good money for private lessons on Cubism from Popova. From 1914–1915 her Moscow home became the meeting-place for artists and writers. Popova, Udaltsova, and Vesnin developed close creative and personal friendships and love that would last throughout Popova’s short lifetime. She worked with the Kamerny Theatre of Aleksandr Tairov and Vsevolod Meyerhold. Sarabianov, Dmitri, and Adaskina, Natalia, Tenth State Exhibition: Non Objective Creativity and Suprematism, "Rodchenko/Popova: Defining Constructivism", Liubov Popova: From Painting to Textile Design, Estorick Collection of Modern Italian Art, https://en.wikipedia.org/w/index.php?title=Lyubov_Popova&oldid=1006007544, Articles containing Russian-language text, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, The Futurist Exhibition: Tramway V, Petrograd, Tenth State Exhibition: Non-Objective Creativity and Suprematism, Moscow, This page was last edited on 10 February 2021, at 15:16. Popova's superimposed planes and strong color have the objective presence of actual space and materials.[6][7]. Ljubov' Sergeevna Popova (1889–1924) ; Descrizione: pittrice, professoressa universitaria, grafico, illustratrice, disegnatrice e scenografa russa-dell'Unione Sovietica Data di nascita/morte: 24 aprile 1889 (secondo il calendario giuliano) : 25 maggio 1924 Luogo di nascita/morte - Pittrice russa (Mosca 1889 - ivi 1924). All structured data from the file and property namespaces is available under the Creative Commons CC0 License; all unstructured text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. Lyubov' Popova. in Iwanowskoje, Gouvernement Moskau; † 25. An analysis of Popova's cubo-futurist work also suggests an affinity with the work of Fernand Leger, whose geometry of tubular and conical forms in his series of paintings from 1913–1914 is similar to that in Popova's paintings.[1]. [2] By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. Popova died at the peak of her artistic powers two days after the death of her son, from whom she had contracted scarlet fever in 1924 in Moscow. Ljubov' Sergeevna Popova Ljubov' Sergeevna Popova. She created innovative Constructivist sets around which the action developed. Thus, her departure from painting and her turn to “practical art” in 1921 was a logical step in her artistic evolution. Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. LodView is a powerful RDF viewer, IRI dereferencer and opensource SPARQL navigator Paintings by Lyubov Popova can be seen in some of the best art museums in Russia and around the world. Files are available under licenses specified on their description page. Meet extraordinary women who dared to bring gender equality and other issues to the forefront. While every effort has been made to follow citation style rules, there may be some discrepancies. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. She continued painting advanced abstract works until 1921. Vita. Se flere idéer til stillads, kubisme, geometrisk mønster. Her most interesting work was in the field of set design. These two French artists, who had written a noted book on Cubism, counted Udaltsova as their foremost Russian student. 09.11.2016 - Просмотрите доску «lubov popova» в Pinterest пользователя uliana bychenkova, на которую подписаны 524 человек. Nelle sue opere più significative la scomposizione delle forme si concilia con l'elemento dinamico. During this period Popova connected teaching and theoretical work (at, for example, the Moscow Institute of Artistic Culture) while creatively she moved toward the applied arts, working with textile designs, posters, and book covers. [4] Through a synthesis of styles she worked towards what she termed painterly architectonics. Ljubov Popova (1889-1929) Fabrika Iaschikov (The Box Factory) inscribed and titled in Cyrillic 'L. Lyubov Popova Russian artist. (42 x 30.5cm.) Liubov Sergeyevna Popova (1889-1924 Russian) 'Cubist female figure studies' 20 x 13cm (8 x 5in) Sold for £ 2,350 (US$ 3,084) inc. premium The Gallery Collection of Chomé Fine Art. Corrections? Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. 1991 : Archives pamphlet file : miscellaneous uncataloged material. While in Paris she studied at the Académie de la Palette with Henri Le Fauconnier and Jean Metzinger. Si distinse per le sue composizioni architettoniche e tra le sue principali influenze è ben riconoscibile quella di Malevic. Lyubov Sergeyevna Popova, (born April 24 [May 6, New Style], 1889, Ivanovskoye, Russian Empire—died May 25, 1924, Moscow, Russia, U.S.S.R.), one of the most distinctly individual artists of the Russian avant-garde, who excelled as a painter, graphic artist, theatrical set designer, textile designer, teacher, and art … In 1912 Popova met some of the leading masters of the Moscow avant-garde gathered around Vladimir Tatlin, and for some time she worked at his studio, together with Nadezhda Udaltsova, with whom she was to develop a close friendship, and Aleksandr Vesnin (see Vesnin brothers). Popova did not join the Working Group of Constructivists when it was set up in Moscow in March 1921, but joined by the end of 1921. Popova’s abstract drawings from this period are powerful, and stand out for their maturity, finished sculptural qualities and superb shading. Color is used as the iconic focus; the strong primary color at the center drawing the outer shapes together. Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; April 24, 1889 – May 25, 1924) was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. … (Ivanovo, 6 maggio 1889 – Mosca, 25 maggio 1924), è stata una pittrice e scenografa russa e sovietica, esponente dei movimenti dell'avanguardia russa sviluppatisi nei primi anni del Novecento: cubismo, cubo-futurismo, costruttivismo e suprematismo. At eleven years old she began formal art lessons at home; she was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. In 1918 Popova married the art historian Boris von Eding, and gave birth to a son. After studying in the studios of Stanislav Zhukovsky and Konstantin Yuon in Moscow from 1907 to 1909, she traveled to Italy, where she was strongly drawn to the monumental art of the early Renaissance. At 0.10 she had exhibited a number of figurative painted cardboard reliefs in a cubist derived style. Von Eding died the following year of typhoid fever. From 1921–24 Popova became fully involved in Soviet art activities. in Iwanowskoje bei Moskau; † 25. Air+Man+Space, 1912, Oil on canvas, 125 x 107 cm, The State Russian Museum, St. Petersburg, Lyubov Popova, Untitled, 1915, Oil on canvas, 106.4 × 71.1 cm (41.9 × 28 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981 Guggenheim Museum, Lyubov Popova, Birsk, 1916, Oil on canvas, 106 × 69.5 cm (41.7 × 27.4 in), Solomon R. Guggenheim Museum, New York Gift, George Costakis, 1981 Guggenheim Museum. Popova was one of the first female pioneers in Cubo-Futurism. Ljubow Sergejewna Popowa russische Malerin. Ring in the new year with a Britannica Membership, https://www.britannica.com/biography/Lyubov-Sergeyevna-Popova, International Chamber of Russian Modernism - Biography of Liubov Popova, Russia-InfoCentre - Biography of Lyubov Popova, Art Encyclopedia - Biography of Lyubov Popova, The State Tretyakov Gallery - Biography of Lyubov Sergeyevna Popova. Popova was also seriously ill but recovered. As early as 1917, in parallel with her Suprematist work, the artist had made fabric designs and worked on Agitprop books and posters, In the Tenth State Exhibition: Non Objective Creativity and Suprematism, 1918, she contributed the architectonic series of paintings. From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell. She organized “weekly gatherings on art” at her house, which attracted the forerunners of the Moscow artistic avant-garde, and participated in avant-garde exhibitions, such as Jack of Diamonds exhibitions of 1914 and 1916, “0.10” (1915), and “The Store” (1916). In 1916 she joined the Supremus Group founded by Kazimir Malevich. Shop for popova art from the world's greatest living artists. She worked briefly in the Cotton Printing Factory in Moscow with Varvara Stepanova. After successful experiments in Cubism (such as Composition with Figures, 1913), Popova created a series of “plastic paintings,” such as Jug on Table (1915), in which there is a synthesis of painting and relief work using plaster and tin. Sergeevna Popova. Liubov Popova. The following year she visited other ancient Russian cities, including St. Petersburg, to study icons. In 1923 she began creating designs for fabric to be manufactured by the First State Textile Printing Works in Moscow.[9]. Lyubov Popova Russian artist (1889-1924) Lyubov Sergeevna Popova. However, there was a tension between those who, like Malevich, saw art as a spiritual quest, and others who responded to the need for the artist to create a new physical world. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Ljubov' Sergeevna Popova, in russo: Любовь Сергеевна Попова (Ivanovo, 6 maggio 1889 – Mosca, 25 maggio 1924), è stata una pittrice e scenografa russa e sovietica, esponente dei movimenti dell'avanguardia russa sviluppatisi nei primi anni del Novecento: cubismo, cubo-futurismo, costruttivismo e suprematismo. Lyubov Sergeyevna Popova, (born April 24 [May 6, New Style], 1889, Ivanovskoye, Russian Empire—died May 25, 1924, Moscow, Russia, U.S.S.R.), one of the most distinctly individual artists of the Russian avant-garde, who excelled as a painter, graphic artist, theatrical set designer, textile designer, teacher, and art theorist. Alexandra Exter, Natalia Goncharova, Lyubov Popova, and Olga Rozanova in MoMA's "A Revolutionary Impulse: The Rise of the Russian Avant-Garde" Ljubov' Popova, Uomo + aria + spazio, 1913 Natalia Goncharova (1881 - 1962) Fishing (fishers), 1909 Lubow Popowa rosyjska malarka. This page was last edited on 9 September 2019, at 16:17. Metropolitan Museum of Art, Thomas J. Watson Library Una delle personalità di maggior rilievo dell'avanguardia russa. In 1912–1913 she studied art with Nadezhda Udaltsova in Paris, where she met Alexander Archipenko and Ossip Zadkine in 1913. / 6. Ljubov Sergeevna Popova nacque nel 1889 in un piccolo villaggio russo chiamato Ivanovo, vicino alla città di Možajsk. Mai 1889greg. f - Liubov Sergeevna Popova, 1889-1924 , still life with tray mixed media and collage on canvas POPOVA, LIUBOV 1889-1924 Birsk Landscape signed, Liubov Popova (1889-1924) Mai 1924 in Moskau) war eine russische Malerin, die zur Russischen Avantgarde zählte. …with her friend the painter Lyubov Popova. Popova, Lûbov' Sergeevna (1889-1924) Popova, Ljubov' Sergeevna, 1889-1924 Popova, Li︠u︡bovʹ Попова, Любовь Сергеевна Popova, Ljubov' S. 1889-1924 Popova, Ljubov' Popova, Liubov 1889-1924 Popova, Lyubov' (Russian painter and designer, 1889-1924) Попова, Л. Transliteration Ljubov' Sergeevna Popova; * 24. Choose your favorite popova designs and purchase them as wall art, home decor, phone cases, tote bags, and more! [5] Popova embraced both of these ideals but eventually identified herself entirely with the aims of the Revolution working in poster, book design, fabric and theatre design, as well as teaching. In 1916 she began to paint completely abstract Suprematist compositions, but the title "Painterly Architectonics" (which she gave to many of her paintings) suggests that, even as a Suprematist, Popova was more interested in painting as a projection of material reality than as the personal expression of a metaphysical reality. Ljubov' Sergeevna Popova, in russo: Любовь Сергеевна Попова? Ljubow Sergejewna Popowa (russisch Любовь Сергеевна Попова, wiss. POPOVA, LIUBOV. [1], Popova grew up with a strong interest in art, especially Italian Renaissance painting. "The artist creates his own reality in the forms of his art, and he understands realism as the consciousness of the true thing, self-sufficient both in form and content, a thing that does not reproduce the objects of the real world, but is constructed from the beginning to … This series defined her distinct artistic trajectory in abstract form. Popova ‹papòvë›, Ljubov´ Sergeevna. Our editors will review what you’ve submitted and determine whether to revise the article. Popova, L. S. Artist file : miscellaneous uncataloged material. Let us know if you have suggestions to improve this article (requires login). Popova' and titled 'Fabrika Iaschikov' (on the reverse) gouache and pencil on paper laid down on card 16½ x 12in. Liubov Sergeevna POPOVA (1889-1924) Composition abstraite Gouache et aquarelle sur papier, porte un monogramme en bas à droite 48 x 31,5 cm (à vue) Mai 1924 in Moskau) war eine russische Malerin, die zur Russischen Avantgarde zählte. Ljubov' Sergeevna Popova, in russo: Любовь Сергеевна Попова? She classified her work, with its rhythmical syntheses of coloured planes, as “Painterly Architectonics.”. Ljubov Sergeevna Popova Popova non si unì mai ufficialmente al movimento dei costruttivisti russi quando venne fondato a Mosca nel 1921, tuttavia risulta molto chiaro, in uno dei suoi discorsi pronunciati in quello stesso anno, quanto le sue idee abbracciassero a pieno quelle del movimento.